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Dominant seventh sharp ninth chord
In music, the dominant 79 chord〔Isacoff, Stuart (1987). ''The 20-Minute Chords & Harmony Workout'', p.111. ISBN 978-0-943748-41-2.〕 ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh with an augmented second. This chord is used in many forms of contemporary popular music, including jazz, funk, R&B, hip hop, rock and pop. As a dominant chord in diatonic harmony, it most commonly functions as a turnaround chord, returning to the tonic. However, the 7#9 is also frequently used in some styles as a tonic without the resolution typical of a dominant chord.
==Name==
The chord is also sometimes colloquially known, among pop and rock guitarists, as the ''Hendrix chord'' or ''Purple Haze chord'', nicknamed for guitarist Jimi Hendrix,〔Van Nuys, Calif: Alfred Publishing; New York: Penguin (2007). ''The Complete Idiot's Guide to Rock Guitar Songs'', edited by Mike Sanders, Phil Kitchel, and Janette Lynn, p.58. ISBN 0-7390-4628-4.〕〔Shapiro, Harry and Caesar Glebbeek (1995). ''Jimi Hendrix: Electric Gypsy'', p.144. ISBN 0-312-13062-7.〕 who showed a preference for the chord and did a great deal to popularize its use in mainstream rock music.〔"(The 'Hendrix Chord' )", ''Fender.com''. Accessed 29 February 2012.〕 When used by the Beatles it has also been called the ''Gretty chord'' although this can refer to a distinct 6 string version.〔Pedler, Dominic (2003). ''The Songwriting Secrets of the Beatles'', p.437. Omnibus Press. London. ISBN 978-1-4234-1345-5.〕〔"(The Hendrix Chord )", ''Aeoliancadenece.co.uk''. Accessed 28 February 2012.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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